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It seems, for the time being, Tyrion has no plans to run from King's Landing.
The plan sounds ideal except for the fact that Tyrion has finally found his place in the world: it's not lazing about drinking and fornicating - it's participating in the process that recently spat him out. In a moment of rare tenderness, Shae (Sibel Kekilli) suggests the two run away and live their lives doing what they do best. Tyrion's wounds are more than superficial, though, as he learns, immediately upon waking to none other than Grand Maester Pycelle (Julian Glover), that the position of the King's Hand is no longer his it has officially been bestowed upon Tywin. Tyrion, thanks to his squire Podrick Payne (Daniel Portman), is only slightly worse for wear – bearing a rather striking slash across his face, that he deems a worthy addition to his diminutive size. 'Valar Morghulis' has a lot of ground to cover, and thankfully it begins with the fallen Tyrion Lannister (Peter Dinklage), who was last seen losing consciousness as his father and the Tyrells pushed back Stannis' invading forces. The episode largely serves as an appropriate epilogue for the 'Battle of Blackwater' while gathering steam for season 3.
#Game of thrones season 2 series
Where some programs attempting to utilize such styles of storytelling come off being clumsy or unsubtle, this series sees the tactic executed incredibly well.Īnd so, after the narrow focus on conflict that was ' Blackwater,' Game of Thrones is set to bring its second season to a close by spreading itself across Westeros once more in 'Valar Morghulis.' Here, the progression of the individual plays against the backdrop of something larger, and in having these smaller chunks of story be impacted by such a universal event – rather than directly influence it – the pressure to end in resolution is largely lifted. And if what Melisandre (Carice van Houten) says to Stannis ( Stephen Dillane) is true, then the event that unifies the characters will be raging for years to come. To ensure Arya Stark (Maisie Williams) has as much reason to take up precious screen time as Jon Snow (Kit Harington) or Tywin Lannister (Charles Dance), there must be a shared knowledge of current events to keep them all relevant. The difference is these are attributes given to well-established characters that have a history long before the War of the Five Kings. There are other elements at play such as, the general knowledge that Lord Varys (Conleth Hill) knows what everyone, everywhere, is up to at any given time - or that Petyr "Littlefinger" Baelish (Aidan Gillen) can be counted on as long as the end helps satiate his lust for wealth and power. Often times, the trouble with world building on this scale is the struggle to make such varied characters relate to one another, but in Game of Thrones the shared experience that has gripped nearly every kingdom acts like a bridge between stories. In doing this, the writers crafted a solid second season that united its characters and their various story lines through the omnipresent threat of conflict. Weiss – taking into account they had but 10 (or so) hours to tell multiple intertwining (and sometimes disparate) stories and make them work as a cohesive whole. Here, the sheer size of Westeros and the number of characters contained therein could have proved a logistical nightmare for David Benioff and D.B. Yet somehow, with the added challenge of lacking a central character whose ideals and experiences audiences could cling to throughout the season (like those of Bean's Eddard Stark), Game of Thrones has arguably managed to pull of the kind of feat most programs wouldn't dare that is, the series has exponentially expanded its world – geographically and otherwise – added to its cast of characters, and then spread them apart so that few, if any, actually have chance to interact. Considering its lack of readily identifiable stars like Sean Bean and Jason Momoa (but really Sean Bean), Game of Thrones had its work cut out for it in season 2.